ZEEZOUT Clubnight

Bitter Babe is a multidisciplinary artist and DJ who emerged from Miami’s vibrant underground scene and is now based in Paris. Her cutting-edge selection fuses Latin-inspired percussive rhythms: dembow, raptor house, tribal, guaracha, reggaeton, and Brazilian funk—with bass-heavy, low-end groove club music. She has been touring globally, delivering electrifying performances at Dekmantel Festival, Horst Festival, and Panorama Bar.

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Bogotá-born, Berlin-based Tania Humeres Correa plays under the moniker of her own initials: THC. It’s not a gimmick – to hear a track slammed into another so deftly is a psychoactive experience. THC’s sets are kinetic, propulsive in this way. High-energy without a loss of soul, hard-hitting, and still very playful and very gay. We are reminded that techno need not be a gloomy, rumbling march, and that house has a whole range of attitudes at the same time ruthless and smiling. She blazes, to put it
simply.

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The Syrian born and Groningen-based Fafi Abdel Nour has been a steady house-hold name at OOST. Next to holding down the fort in OOST as a resident, he is co-founder of the queer night HOMOOST. The night that became known for breaking down barriers with a colourful approach up there in the North.

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Jennifer Loveless is a palpable force behind the decks, a take-notice producer, and an all around stand-out talent with over a decade of experience under her belt. The Toronto-born Australian-resident, and now London-based artist is a diverse selector who found her love of club music through its most fundamental element; dance.

Luc Mast spends most days teaching literature to teenagers, but when there’s a free moment he enjoys playing mp3s at likeminded clubs too. Over the past ten years he went from skipping class, practicing melody mixing instead, to playing clubs and festivals, solo or with DJ friends Oceanic, Elias Mazian, Job Jobse and Arif in numerous formations. Former resident at Trouw and programmer at De School in Amsterdam.

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With a unique blend of energy, passion, and technical skill, Lucky Done Gone consistently captivates his audience. His sets are a mixture of eternal sounds:house, 90’s techno, 00’s trance, Leftfield and anything fresh for the dancefloor he just dug up. Bringing the crowds modest vibes, but also the more emotional side ofthings. Ever since his first introduction to the audience, the special connection between the crowd and Lucky Done Gone has only grown stronger.

Tsepo's recent years allowed him to reflect and rekindle his passion for music. He's now dedicated to creating music without constraints or expectations. Inspired by his early musical influences and exploration beyond the club scene, he's gained a deeper understanding of mood and emotion in music. His sets are known for their hypnotic quality, with gradual buildups and a captivating journey. From his time at Amsterdam's Trouw and Shelter to his current residency at De School, Tsepo likes his DJ sets to evolve over more than five hours, taking dancers on a transformative journey.

Phia's style is characterized by an electrifying blend of breaks, electro, and house. She intricately weaves different genres together, maintaining a cohesive narrative that captivates the audience from start to finish.

Rozaly is a young sonic practitioner, curator, researcher and DJ from Curaçao, who is committed to challenging traditional ideas surrounding Caribbean sounds and expanding the narratives that define them. His approach, tinged with absurdism, seeks to unearth collective memories and lost heritage in an endless identity search that provides a refreshing perspective that complements the focus and knowledge on Caribbean influences in modern sound.

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